Ken Liu's science fiction offers a profound critique and exploration of accelerationism not as a political ideology, but as the inevitable effect of Artificial Intelligence (AI) acting as an accelerant and amplifier of human nature and social trends. His works, notably the novel All That We See Or Seem and the short story "The Perfect Match," consistently portray AI as a tool that intensifies existing human tendencies, making things "a hundred times better or a hundred times worse." For instance, in All That We See Or Seem, AI accelerates human connection through the technology that facilitate collective shared dreams, demonstrating AI's power to create new, deeply meaningful forms of art and community. Conversely, "The Perfect Match" shows AI, in the form of the personal assistant Tilly, accelerating societal pressures toward hyper-optimization, leading to a sterile, controlled existence where the pursuit of algorithmic perfection eradicates genuine human spontaneity and self-determination. Liu, an author who views science fiction's purpose as building a "mythology of the future," uses these accelerated scenarios not to make a prediction, but to create conceptual frameworks that force readers to confront the moral and societal consequences of rapid technological advancement.